美国名人 摄影师 黛安娜.阿勃丝.docx

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1、美国名人摄影师黛安娜阿勃丝DianeArbus,1923-1971:ARevolutionaryPhotographerofUnusualPeopleplaystopmutemaxvolume00:00-15:11repeatByDanaDemange2009-8-8VOICEONE:mFaith1.apidus.VOICETWO:AndmSteveEmberwithPeopleinAmericainVOASpecialEnglish.Today,wetellaboutDianeArbus,arevolutionarymodernphotographer.(MUSIC)VOICEONE:Dia

2、neArbusphotoofaJewishgiantathomewithhisparentsintheBronx,N.Y.DianeArbusisknownforcreatingintenseblackandwhitephotographsofveryunusualpeople.Sheusedaspecialcamerathatproducedsquareshapedimages.Oftenhersubjectslooksad,conflictedorphysicallyabnormal.Buttheydonottrytohidetheirinsecurities.Theyopenlystar

3、eatthecamera.OneartexpertsaidDianeArbusturnedphotographyinsideout.Insteadoflookingathersubjects,shemadethemlookather.Arbuslearnedtomixtherealisticnatureofphotographywithitsexpressivepossibilities.Sheexploredhowpeoplelivewithsamenessanddifferenceaswellasacceptanceandrejection.Thesecombinationscreated

4、veryinterestingartthatwasoftendisputed.(MUSIC)VOICETWO:DianeArbuswasborninnineteentwenty-threetoawealthyfamilyinNewYorkCity.HerfatherDavidNemeroownedalargeclothingstoreinacostlyareanearFifthAvenue.HerparentscollectedartandwerepartofthehighsocietyofNewYork.ThefamilytraveledoftentoEurope.Theyhelpedthe

5、irchildrenexpresstheirartisticgoals.Dianesbrotherwasthefamouspoet,HowardNemerov.Hersisterbecameasculptor.Afterfinishinghighschoolattheageofeighteen,DianemarriedAllanArbus.MisterArbusworkedintheadvertisingdepartmentofherfathersstore.VOICEONE:ItwasMisterArbuswhogaveDianeherfirstcamera.Dianesoondecided

6、totakeaclasswiththefamousphotographerBereniceAbbott.TheArbuseseventuallystartedtakingphotographsofclothing.TheseimageswereusedasadvertisementsforDianesfathersstore.Afterthebirthoftheirdaughter,DoonztheArbusesstartedabusinesstogether.Theirpurposewastophotographclothingfashions.DianeArbuswasthestylist

7、.Shewouldpreparethehairandfacesofthefashionmodelswhoworetheclothingbeingphotographed.AllanArbustookthepictures.VOICETWO:ThecouplesoonhadjobsfromimportantfashionmagazinessuchasVogueandHarpersBazaar.Theirworkwasverysuccessfulduringthenineteenfifties.Theybecamepartofagroupofartiststhatwerehelpingtorede

8、finevisualculture.Theywerebreakingwithpasttraditionstocreateanewlookforanewdecade,thesixties.VOICEONE:ButDianewasnotsatisfiedwithhersecondaryrole.Shewantedamoreactivepartinmakingphotographs.Shewantedtoexploreherownartisticexpressionandfreedom.Todothis,shestoppedworkingwithherhusband.Thenshestartedta

9、kingphotographyclassesattheNewSchoolinNewYorkCity.Arbusteacher,1.isetteModel,influencedherinmanyways.SheshowedDianehowtouseacameralikeanexpert.ShealsotaughtDianetouseherarttofaceherdoubtsandfears.MissModeloncesaidthatDianesoonstartednotlisteningtomebutsuddenlylisteningtoherself.(MUSIC)VOICETWO:Diane

10、Arbuschosehersubjectsverycarefully.ShephotographedmanyofthesepeopleinornearNewYorkCity.Sheoftenchosetophotographunusualpeoplelivingontheedgeofacceptablesociety.Butsheshowedthecommonandrecognizablesideofsuchunusualpeople.Forexample,shetookpicturesofextremelyshortandextremelytallpeople.Shephotographed

11、mendressedaswomen,circusperformers,andevenpatientswithseverementallimitations.Sheoncesaid:Myfavoritethingistogowhereveneverbeen.VOICEONE:Oneofherfamousphotographswastakeninnineteensixty-six.Itisofayoungtransvestite.Atransvestiteisamanwhodressesandactslikeawoman.Thismaniswearingplasticobjectsinhishai

12、rtocurlandshapeit.Heisalsowearingmakeuponhisfacetomakeitlookmorelikeawoman.Thepictureistakenfromcloseupwithseverelightingeffects.InthedarkcentersofhiseyesyoucanseethelightfromArbuscamera.Youcanseeeverydetailandimperfectionofhispaleskin.Helooksdirectlyatyouasthoughhehasnothingtohide.Hislookisoneofint

13、erestandacceptance.VOICETWO:AnotherphotographlikethisiscalledMexicanDwarfinHisHotelRoominN.Y.C.Itwastakeninnineteenseventy.Here,Arbususessimilardramaticlighting.Sheshowsaclose-upviewoftheupperbodyandfaceofthisextremelysmallman.Helooksdirectlyatthecamerawiththesuggestionofasmile.Youcanseeallthelineso

14、nhissmallshortfingers.Thehaironhischestandfaceseemsveryclose.Youcanalmostsmellthealcoholonthetablebesidehim.Youcanalmostfeelthesmoothclothsheetsonhisbed.Itisasthoughyouhaveenteredthepersonalworldofthissmallstranger.Theexpressionsofthesemenaresohonestthatitisalmostunpleasanttoobserve.DianeArbusexplor

15、edthistensioninherwork.Shecaughthersubjectsinpositionswheretheyshowthemselvescompletely.Theydonotseemafraidtoshowtheirimperfectionsandstrangeness.Theydonothidethepartsofthemselvesthatarenotbeautiful.Theyopenlyshowtheirbodiesandsouls.Seeingthepictures,yousometimesfeelyouareinterferingintheprivatelive

16、softhesestrangepeople.Youfeellikemaybeyouarenotsupposedtobelooking.(MUSIC)VOICEONE:SomeartcriticsbelieveDianeArbusphotographedsuchunusualpeopleasaresultofherbackground.Shegrewupinasafeandwealthyenvironment.Inphotographingthestrangeandimperfectpeopleinsociety,sherejectedherownsocialgroup.Sherevoltedagainstherupbringingtoprovethatshewasartisticallyindependent.Shechosetoexploretheunusualsidesofsocie